OMNISPHERE FULL VERSION
OMNISPHERE FULL
OMNISPHERE PROFESSIONAL

Once the base patches and samples were finalized, it was time to explore what could be created by combining вЂњdoorsвЂќ with more! I set my sights on hybrid organic sounds вЂ“ part real вЂ“ part synthetic. This alone would rival industry standard sample collections used for theatrical and cinematic use.

Variations were created showcasing different processing techniques that could be applied to enhance the standard samples.

These samples are presented on their own and in reverse for standard sound effects/Foley use but utilizing the power of Spectrasonics OmnisphereвЂ™s effects and tools.

OMNISPHERE PROFESSIONAL

A simple idea вЂ“ record a variety of interior household doors, drawers and more вЂ“ in professional 24-bit/96khz.

The reason I bring this up is that sometimes i try to see how much I can write with one plugin, and I was surprised how even with the entire Omnisphere library and four Unfinished preset backs, how few percussions sounds I had at my fingertips.Д«ut don't buy anything until you're excited by it.Sound FX Vol 1 for Omnisphere 2 explores the world of creative field recording. KU would get you Damage and tons of other drumkits. Yes, you can do percussive sounds in Omnisphere (you can do versions of just about anything in Omnisphere, hence the Omni), but it's not its strength. And Komplete is, as everyone says, broader, but you'd want to at least be really excited about one synth (Massive X? Some Reaktor synths like Razor or Monark?) and the sampled instruments (I think you'd like the Play series, as it's well-suited to preset browsing and mixing and matching without deep dives).ДЇinally, one specific thing to consider is percussion. Omnisphere is a fantastic synth (it remains my favorite), but you wouldn't want to use it if your goal is to sound like many real instruments.

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Omnisphere will always be there, right around the same price, so maybe you'd get that next and it'd complement Kontakt well.Д«ut if you don't go the Kontakt full route, at least figure out what kinds of instruments you want to use.

OMNISPHERE FULL VERSION

With the full version of Kontakt, you'll have a lot to get started with, a whole world of free and inexpensive libraries, and you'll have spent a lot less money than Komplete or Omnisphere. If you don't find a kontakt player library you want to spend money on, some people report that certain free kontakt player libraries allow the crossgrade (search this forum), but I'd encourage you to find something that you're really excited about. So let me complicate your life further and suggest an alternative: find a kontakt player library that you find truly inspiring, buy that, and buy the kontakt 6 crossgrade, which is also 50% off (so $125). It's a huge shame to spend $500+ because people tell you something is good and you find it's just okay for what you want to do. Since you're trying to choose between such disparate products, it makes me wonder if you've not really looked deeply into either. Komplete can get a bad rap around here for 'wasting' your money, but it's such a phenomenal deal during sales right now that you just need to ensure there's enough there that you do like.Д®ither way, you may not be spending time doing a deep dive into sound design, but you will probably be spending a lot of time looking for presets, be it in the various synths and sample libraries of KU or in Omnisphere. But that's okay, it might still be the right choice for you. There's a ton to discover in the built-in presets, but purchased presets can take it so much further.ДЇor Komplete Ultimate, you won't use most of it. You said that you don't have time/energy to do a deep dive into sound design, and for Omnisphere, that's fine - but do plan on searching for preset libraries for purchase that better match the vibe you're going for. I think it depends on the style of writing for animation that you want to do. People have made good cases for both, but they're really hard to directly compare.